|
The Drawers - Jesus Mora Commentary written by Julie Oakes
|
|
Narrative?
A similar free association comes from Jesus Mora's use of corn silk. Like a super fine brush, the silk leaves marks that appear to be tunnels made by a burrower. They resemble inscribed Mayan and Aztec gold. Made from maize they form mazes and the possibility that the ancient alphabet might have been born from a similar happenstance seems a possibility. Despite the invitation to fantasize, the work is grounded. Jesus Mora's water color scrolls have the atmospheric softness of a Chinese brush painting. On top of this, Jesus records his transplanted memories of other places. The pencil and ink marks attach themselves to the floating gelatinous masses as if they are reproducing in ethereal space. They sprout. They peak out at us. The clouds of gentle tonalities seem to part and small beings are disturbed, caught by a fleeting glimpse like a microscopic revelation.
It is difficult to encapsulate
effervescence. Jesus Mora's art, like a fizzy drink delivered a little warm
and then shaken with the excitement of opening, broadcasts sparkles. Copyright © 2006, Headbones Gallery, The Drawers |